Daveportivo's Cultural Evaluation Facility

Music, Politics, Flim, Books and TV all shall be reviewed within.

100. Livin' La Vida Loca - Ricky Martin

(Columbia 1999, Ian Blake)

Don't act like you don't love it. Ah yes it's the latin pop revival/sensation of the late ninities, so what if J-lo and Ricky Martin were a war crime and offensive to all five senses, this was a mamoth tune and still sounds refreshing even if it does have a rather pugnant wiff of fromage.



99. Vogue - Madonna
(Warner Bros. 1990, Madonna)

From one iconic 90s pop song to another, granted this one is of superior vintage and greater quality. I've always thought Madonna and her influence were highly overated, but for cultural imapact there is none greater than Madge and especially Vogue. So go ahead, strike a pose, don't feel bad about it, I know you want to.



98. Celebrity Skin - Hole
(Geffen 1998, Michael Beinhom)

"Oh Make Me Over / I'm All I Wanna Be / A Walking Study / In Demonology" Coutrney always was better when it came to image, sloganeering and generally acting like an Icon than actually writing iconic music. However in Celebrity Skin she managed to bring everything together perfectly for her biggest, best and most defining single.



97. What's The Frequency, Kenneth? - REM
(Warner Bros. 1994, Scott Litt)

So after the dad rock-arrific balladry of Automatic For The People, REM remember they liked to rock, but not too hard of course, big soaring chorus was a must have but REM reminded us this was a band with a rhythem section.



96. She's The One - Robbie Williams
(Chrysallis 1999, Guy Chambers)

Another nineties pop smash and another cover this time it was World Party's She's The One that would get the mainstream make over and become and huge glorious anthem, it proved a wise choice for Mr. Williams.



95. Woo-Hah! Got You All In Check - Busta Rhymes
(Elektra 1996, Rashad Smith)

This is how you make an impact if your a new rapper. Busta burst on the scene with the insanely inane and unbelievably brilliant Woo-Hah! suddenly it seemed like all the laid back rap of the 90s had been in black and white and Busta was in glorious technicolour. Like Creep for Radiohead he'd have to spend the rest of career over coming the expectation set by this track.



94. Rendez-Vu - Basement Jaxx
(XL 1999, Basement Jaxx)

Dance was so huge in the late ninities it's remarkable to think how pitiful and pathetic it is these days with the likes of Casacad dominating the mainstream. Thankfully back in 1999 we had the gorgeous Rendez-Vu.



93. You Oughta Know - Alanis Morrisette
(Maverick 1995, Glen Ballard)

Alanis Morrisette looked to be a special talent back in the mid 90s she never quite lived up to the potential or escaped the confines of her trademark sound but thankfully before she disappeared into irrelevance she gave us You Oughta Know.



92. Groove Is In The Heart - Deee-lite
(Elektra 1990, Deee-lite)

This sound couldn't have been any huger in the 90s and to be fair it's still great and probably deserves a higher placing, regardless enjoy, an absolutely killer baseline.



91. Come As You Are - Nirvana
(DGC 1992, Butch Vigg)

Whatever your opinions of Nirvana (Rock Gods or Overated Scenesters) it doesn't really matter they concured the world on the strenght of a serious of mamoth singles and few were finer than the gorgeously gloomy Come As You Are.



90. A Design For Life - Manic Street Preachers
(Epic 1996, Mike Hedges)

"Libaries gave us power!" As unique and powerful and opening line as there has ever been in rock history. This song secured the Manics rightful place as rock legends.



89. Where It's At - Beck
(DGC 1996, The Dust Brothers)

What to say about Beck he's been a chameloen throughout his career but it will always be Odelay that will define his career and for most this will be his trade mark track. Beck was always at his best when he was goofing off.



88. Monkey Wrench - Foo Fighters
(Capitol 1997, Gil Norton)

It's amazing to think now but back in 1997 Foo Fighters' trademark sound was actually refreshing come big american rock that had balls and agression but wasn't cronically depressed. Now it's just sickeningly generic but back then the Foos were thrilling.



87. Killing In The Name - Rage Against The Machine
(Epic 1992, Garth Richardson)

Ah RATM the king of the one trick ponies, great fun without doubt but over a two hour set and multiple albums it all wore a bit thin. However this track never got old because the sentiment "Fuck You I Won't Do Want You Tell Me!" never gets old.



86. Lucky Man - The Verve
(Hut 1997, Youth)

One of the huge hits from Urban Hymns Lucky Man was utterly irresistable with its honest sentiment and its charming melody, who could resist, not I.



85. Everlong - Foo Fighters
(Capitol 1997, Gil Norton)

Dave Grohl's best songwritting moment, Taylor's best drum loop, and a song that for some reason sucks balls live.



84. Evenflow - Pearl Jam
(Epic 1992, Rick Parashar)

Undoubtably Pearl Jam's best anthem, enough said.



83. Swastika Eyes - Primal Scream
(Creation 1999, Primal Scream)

Primal Scream have always striven to be creative, fresh and new. This normally leads to mediocre music that gets labelled "brave" but in the awesome Swastika Eyes they hit the creative jackpot.



82. Black Hole Sun - Soundgarden
(A&M 1994, Michael Bienhorn)

Soundgarden were arguably the finest act of the Grunge movement with more depth and song writting power, whatever your opinnion the awesomeness of this ballad is unquestionable.





81. Unfinished Symphony - Massive Attack
(Virgin 1991, Massive Attack)

While Trip Hop was still on the horizon Massive Attack were already pioneering and few tracks have the beauty and the power of Unfinished Symphony.


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This is your one stop shop of pop culture reviews I most specialize in Music, Politics & Film. I occasionally delve into TV reviews. I've got a Politics MA and a War Studies BA, I'm taking a year out before starting a Phd so when it comes to History and Politics I'm pretty well versed but I tend to keep this blog fun rather than serious.

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